Showing posts with label Cole Swensen reworded. Show all posts
Showing posts with label Cole Swensen reworded. Show all posts

Saturday, January 5, 2013

On the other hand by Nancy Dzina


After Jennifer K. Dick's poem "Palm Reading" after Cole Swensen’s poem “Fingers: Alignment”

Someone else sees
in their hands our eyes
no longer (ours). This fading’s
not so bad, so long
ago apparent, no need
to rush things, after all
we have light years
before our map carries
much less names.

                           Invisible
petals drop, the flower
bursts to finish, the floor
holds a different notion of
where we are in the story.

The waggle of pages, time
gesture time: gently just-so cast
inner layer tender out then mend
one for another, knowing
and knowing not what hint
of rock may steady then break
any drift of witness. Even
interlocked phalanges
spring from open palms
unbrailled with potential.

When I was a kid, though I never
saw it, I knew the congregation
of the steepled church of hands
could become unpeopled
at the blink of a trigger guard.

Try to disturb my fist.

Good luck with that.

Friday, December 28, 2012

Palm Reading by Jennifer K Dick



After Cole Swensen’s poem “Fingers: Alignment” from The Book of a Hundred Hands (U of IA) (Swensen’s poem is online at: http://www.tumblr.com/tagged/cole-swensen)


We (read I, read the eye of the) cannot congregate
declare (I do) the constellation (I’m bound to)
blind, blunder (I’ve always known it), but
you have never before (have you?)
complied

with the people I think I’ve seen every day,
(have I seen, am I, and then to see is, at sea)
and then of the people I
four or five days a month
a mourning those I say twice
I’ve known (I have been known to)
(I know you, too) by this.
Texture.

and then once, and then I knew (was known) by no one

Suddenly, you say, sudden
crowded
integrating
interiorate
catapult
integral

This is just what I’d imagined
you knew
of sky, and my lost roads maps
wending our pathways out
overt gardens, overt landscapes scraped
shaped into his gardens
(you do know who I speak of? Ours, and hours)
I hear my voice
(yours)
This is an echo
this echo is this
is echo’s attempt to speak
etc.
I’m (she is) (you are) (we may be becoming) blind,
so
who can only see me
within their hands?

.

Monday, October 8, 2007

TATTERED after Cole Swensen's "And Are Ghosts"

After Cole Swensen's "And Are Ghosts" from 4 Oct 2007, this from that same day: Tattered by Jennifer K Dick

and three days it took her……….........……whole
haunting inside the sidling….marrow
seascapes, waves,….……..….landmasses….powdered over

distances elongate through snow……..……a gasp
hovers white in the night………..air a ghost
of what architecture………….she………...might’ve

gone to, touched………..……..wooden siding, that
aluminium roof’s red tile……….…….angling
11th century—Italian?………or newer—nearer—inside

the beads fingered……….a code………….of her passing
coddled….…against the freezing blades…..…winded
grass, hollowed corn stalks…..…yellow wheat

fields’ white…………..……..and the waves
she pressed lips to………whispered………inhaled the rose
to grow back to………………….as if to sprout

yet, to rewind him…….…..there,……..…along mottled
pew-rows, a bony hand….arthritic
gnarled uncanny recanting…………………..softly

to the pebbles…………here……….….time’s crunching
miles and miles……………...….in her breath
night or……....…..the blank……..…….....road filling, billows

harrowing……….…..of his stated prairie………of her farms
opening pages reading………….….lines from psalms
voice that ricochets...to fade….…..to bones………sanded flat