Christmas card, by Lisa Pasold

Rewording JKD's Passages & Sean Standish's on the road Meeting three

Here I am trying to spoil all that wanting between landscape and drawing, the usual latent stationary for recycled causes. To complain that we use a language, any of them, to pull us apart, drenching the view with a different syllable. Happy holidays! Glad your envelope isn't here. (Nothing is empty.) What if we say the relationship was successful, simply not permanent. There. Lick sealed this Unicef card’s melting view of the glitter-bedecked polar bear. To find your address will require a Sunday strike-through. Pull that hat hard down for 4 minutes, for 33 seconds. And hold. 

Porches, by sean s

Rewording Jennifer Dick's Passages.

Place somewhere in my out held hand

nodes of a cage, the (un)physical

beat between bars

because

unable to collapse the pause's wave-form

I, because

to collapse the world's porches

holding out some steps for some steps

verbations   barbarations

a p(a(u)l)se s

becaulmes

mreal

wholmdeang

coronary conduct by Sarah Lariviere

rewording of Jennifer K. Dick's "Where These Two Sides Meet," which reworded Erin Mouré’s “Coronal Bone Suture”

but NO wanting Wanting

wanting but NO physicality I thought, holding out

  to                                           (for)

    drawings with indications

   of Style

  of Saturn's sabbath

               (get up... 

                              get up)