Wednesday, November 7, 2007

After Amanda Deutch's "2 Scenes"

Scenic [Route
by Jennifer K Dick

●

I alone escape
this drain-pipe life
sea-anemone
beaten, lacerated, aired
in the bluff of my voice
detected

Register, I, along
perfume and metallic lanes
garce, name-called, gouine
mustered up texture
sandpapered eyes
called I
I call
.......Mount
...............Mounted
.........................Motion
(this?)
_________________________

................................(that?)
Closer,
..........come-
...................hither,
feathers
in a wide-brimmed white cap
emoting scaled facades,
gloating
laced lines paced
.....................along turbined hills
in Grasse on a soaplabel
turn-of-the-century
dried lungs buried
among my packed pickled
plucked-up diversions or
cemetery pines

detected? -ing? -ive?
..........................I
..........................am
............a live one

After various LP, RQ and RSO Sightings

Sonnet 7/11
By Amy Hollowell

Dream notes gleaned
For astral works
Firmament bodies wellhung with
Sweet heavenfruit
In the blue nightfield of revving
And I wonder at dark sightings ---
Every soft and hard where
Here street walking l'éphémère
Or l'effet mère
Or les faits mère ---
Learning light through shadow now as
Rain strips the day, leaving

Red berries a bare cluster of
Clitoris in the pine.

Tuesday, November 6, 2007

After Rufo Q's "Further sightings"

Until Further Sightings
by Robert Savino Oventile

Was last week
a slice of bone?
Now it's just there,
everywhere in Paris.

Nobody, hordes,
together again,
out on the boulevards,
like marrow.

No, the town, my friends,
couldn’t take Atala
off the star I need seen.


NOTE: “Atala,” in this poem, refers to the asteroid of that name that occasionally eclipses specific stars.

After "Whit(h)er" (Version 2), by Jennifer K. Dick

WHIT(H)ER
Version #3
by Brandon Shimoda


particles float in the morning bonelets break flags accordingly skeletal, sagging splinters, the terrible bags, hers hears my confectionary burns white while steeples while through dust, away, whalebones prick ineluctable sky dost cast a statuesque pillar of bark and foam, an inveigled rib parts like cousins pulling hands from the bridge, a way for carcasses to carry Charon’s boating to eye-thicken portaged without

clothes, with out-closing lace manifest in the baling moss hung from trunk’s desire, is taffy—lenses' bottlebottom like ruby lips drenched through glass openings peer at her (me) we’re ladder-rungs (you, by the belt, by the middle state, the soft foot wedged into the potted drum), echelons steepled in white while dust cloud-climbing Lethe’s muffling wavelets, like boating, like limbs (sacre), livers (orders), lugged over lucubrations of flower-conversation in lapsed artefact—get fur le snow

artifactual plaster where found the Spain, the commonplace powder unhemmed, what will wise lessons restitch rays of oll-revealed atoms, teeth like thieves narrowing into wood, lay (me)(you) horizontal in the kestrel, find (you)(me) shaking a thicket over thistles, tapestries palmfrond our hands over mouth over thighs over sighed sight ululas

tonsils, larynxes…….boxes, springs, conical heads, the tail in the greenth produces a hand…….lettuce…….launched into…….choral…….inflammation laid with ceremony corralled…….by her ……. sere shift ripped forth and forward float low…….ing raft tile tilt, whirl of, while…….white the flesh stretches the world whorled of…….particle…..splitting

After 'sighting' by LP & 'Two Scenes' by AD


Further sightings

by Rufo Q

Nobody in Paris
had seen the moon
until Atala;
now it's everywhere.
Just last week
there it was,
mid-afternoon
like a slice of bone
marrow.
Out-of-town friends
took me out
to take my mind
off it
but mulligatawny
& chicken
chow mein
couldn't stick me
together again.
No, what I need
is country stars,
hordes
of them, stetsons
cocked, cooing
on the boulevards.

After Amanda Deutsch's "Two Scenes" & J.K. Dick's "Whit(h)er"

sighting

Stars and contrary stars, ignoring the aurora,
or staring star-mouthed? green, the brain's
skeletal confectionary portaged together, go on:

stick me together again, give me a new
colour ripped forward, flow, whirl, turned and
clavicle-split, pace-maker'd, peace-brokered
on that moss-ice melting re-
member how it felt
on the tongue, membrane stretching.

what a heist
that was, hoisted (you might say)
on some ceremonial arctic petard, split
particles & participles
dangling. go on: i'm still
waiting.

Monday, November 5, 2007

New: TWO SCENES by AMANDA DEUTCH

Scenes 15 & 44 from Amour/Mort/More

Scene 15

Stairs and contrary stairs
stares and dangerous stares
myriad of crumpled notes
I try to read them
Do I try too hard?

_______________________________

We didn’t prepare me
for perfume and metal
and everything is
perfume
. . . metal
. . . . . . . . .here


Scene 44
(I, alone)

Can I escape. make a clean getaway
shimmy up. drain pipe.
hoist. my body.
over the stone wall.
to another side.

or will I get caught. up in. the trap of images.


Go on your way evening boulevard.

lacerer
maroufler
lacerées marouflées

beat it
dust
do it again
make air

call my bluff

mister monsieur detective
you