There was nothing on my front porch but quiet
and my hand hanging from my wrist for a few decades more,
and here I am trying to spoil all that.
Saturday, September 1, 2012
Whown by sean s
After JKD's Who...
After a conversation, who
now
were I as green as a twister's
now
who
sighting
down the roar unfearing northlike
a cat's eye under basement steps
now, a little farther
a little farther
the boreal under my roots
under the steps of my Brooklyn
were I under my own steps
my o'n
Tuesday, April 10, 2012
Eurydice's vision, by JKD
After Sarah Larivière's Turnstiles and Rainer Maria Rilke's VII Orpheus, Eurydice, Hermes in the translation by J.B. Leishman (1976 publication by Hogarth Press, London)
And there, winding
through the silver-ored darkness in need of a glimpse
palm up
fish-eyed, cateracted blue-hued no more than a bulb’s pivot seeking sight
the needlepalm
the napalmed blossoming orange-red flair of –up—and—this—and she, centerfolded,
wraps,
palm-frond
emerges into the jilted sage spread-eagled lip pelvic opened canister of pornography,
sliverpalmed
a sentence(d) akin to the stem or coat-tails collar in the act of being carried off
palm-film
stuck at
the catch threshold ground–surfaced mustard yellow in the potting shed torn
snapshot palm of
snapshot palm of
her-rooted
sound of heavy porphyry in the darkness’ red red rudding of to see just
her palm
held single
twistered pathway round turning unto and back to and recalling silk-smoothed
palm
reached out
towards near tactile field-space breathed into contact’s untouching festered
blackpalm
night
underworld sword-shrouding length of sheathed castoff to be stretched, carried upwards
over Avernus’
palm
then backtripped, she's returned
to thickspun cocoon ear-muffled silence undersnow, re-grounded here in her,
slack-palmed
Tuesday, April 3, 2012
Who... by JKD
After Amanda Deutch's At Home and a conversation with Michelle Noteboom
Who
would I be
now
if I
were
right
now
in
Brooklyn?
Wanting
to just be
a little
farther north
sighting
the
aurora borealis
and
a green
as a
cat’s eye aglow
unfeared
unlike
now
in
the basement
waiting
for
the twister’s
past.
Monday, April 2, 2012
turnstiles by Sarah Lariviere
After Jennifer K. Dick's Glint
palm up
in the dug lawn,
bulbs pivot (in-on)
the needlepalm
-- up
this
is in a magazine, the centerfold
jilted sage (sage) SAGE pornography,
into focus, silvergreen
(sentence)collar in the act of being
carried off
filmsticked
mustard in the potting shed
snapshot of the palm
palm up
in the dug lawn,
bulbs pivot (in-on)
the needlepalm
-- up
this
is in a magazine, the centerfold
jilted sage (sage) SAGE pornography,
into focus, silvergreen
(sentence)collar in the act of being
carried off
filmsticked
mustard in the potting shed
snapshot of the palm
Sunday, April 1, 2012
Glint by JKD
After George Vance's De Keersmaeker at Le Manège de Reims
corps-polygraphy
girlurgling quilted morningsong
spun stunned Persephone
towered dreamwaking from under
the grave dead gesture
of emergence
this
outof infrom
a test’s tasked
quickfreeze tableau
focused
farscape or shouder-point
her-shed
nightyearnings’ link
between known (non) points
a
a
vector in plainsong
to b
sharing spots, places taken
in turnstyles
being (to be)
a specific sonogram
Sunday, January 8, 2012
New: De Keersmaeker at Le Manège de Reims
cesena
polycorps
bodysongs corpophony
helping hands helping the quick helping the
dying into the grave
dead reawakening from the black bower
tercento tones and peasantry Brueg’ling crowds
called to task by a farmer’s kyrie
outof infrom the body
nurse’s therapist’s gestures
quickfreeze tableaux
moving bodies moving moving bodies
jumprunning scampering fucking about
surveiling guarding safeguarding
presented selves focus on far points no points
running amock saved by more helpingquick hands
cripple-hops
group vectors herd-pointing
a yelling plainsong
sharing spots, places taking turns in them
taking turns being human taking turns being
a specific human
saying good-bye to 700 years of yesterdays
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